This blog post summarises my assembly presentation to Senior Boys, itself supported by a Bb-8 and my wife’s light sabre. The Prezi used here –
https://prezi.com/qttpeghrcc-_/
In 1969, when David Bowie released his original versions of ‘Space Oddity’, the first Apollo landings of man on the moon took place.

courtesy hq.nasa.gov
Aged 15, I was inspired by both the science and the music happenings in ways that mark me to this day. Many of the teachers I work with are too young to have been alive when we had the scientific capacity to place men on another planet, let alone the children in my school, whose experience of space excitement is limited to the European Space Station and a virtual reality. The science of interplanetary travel was beyond our comprehension until it actually happened.
What Bowie did was break my understanding of both artistic and human
conventions in like manner. Educated in a boarding catholic community of Benedictine Monks for 4 years aged 13 to 18, I had no real understanding of adult choice and regard for others. Bowie’s development of his Glam rock style, the use of clothing, hair colour, make-up and sexual androgeny intoxicated me initially, and then on entry to University, assisted with my self-identification as Liberal democrat and understanding of adult choice with regard to sexuality. Winning election to the student council at Leicester University, working as a student journalist, charity activist and editor of the Rag Mag ‘Lucifer’ brought me directly into contact with the Gay, Lesbian and Bi community, into direct opposition with the National Front and their racist views, in support of the large Asian community in the city I had chosen to study. Such awakening brought my first real understanding that without immigrant labour, Leicester’s position as Europe’s richest manufacturing city could not have been achieved and maintained.
And this personal growth happened alongside Bowie’s transition in Ziggy Stardust, his blossoming as a world cult, and of course, his deliberate and brave choice to kill Ziggy at his Zenith. That death mask 
of glam rock face slashed by Union Jack creates a striking image of hope, no semblance of fear in our minds; whatever a brit wishes to be, s/he can be.
All through this time, technology marched on. 2001: A Space Odyssey (1968) heralded the arrival of serious space effects on the
big screen and the 1970s became further enriched with computer based special effects and in 1977, shortly after the start of my professional teaching career, Luke Skywalker, Hans Solo and Princess Leia captured the imagination in more than technicolour. My personal journey with computing started when ‘The Empire Strikes Back’ with the ZX80 and 81, hardly machines to capture the imagination of the 21st century child, but at the time provided the first ‘domestic’ way for someone like myself into ‘virtual’ science that inhabits the discipline of computing.
Let’s snap forward to December and January 2015/16. Banksy captures an almost perfect image of Man’s possibilities and inhumanity, when he
paints Steve Jobs as Computer Pioneer and Syrian Refugee on a concrete by-pass wall in ‘the Jungle’ in Calais. His bravery as artist to create social commentary, to inspire locally and shame internationally, is unique. For refugees close to the mural, the painting reminds them that from refugee status can come the greatest riches in a single lifetime. For the world, it makes clear that the richest companies are often created by outsiders who have surmounted our prejudice but have repaid the risk multifold times.
Banksy’s celebration of the Queen’s Diamond Jubilee, conjoining Ziggy’s slash with EII’s face is a striking celebration and affirmation of the legend the monarch has become to us all in his/our lifetime. And what better to match that image against, than the broadcast given at the break of the year by our very own starman, Tim Peake. The British astronaut’s reply to the Queen’s Christmas message is short and sweet, and missed by most of us – please watch that minute of pure patriotism here:

When art forms simply cannot be conceived until they are seen and heard, those that have created such remarkable artifacts deserve all the praise and rewards due them. That’s as true of Job’s remarkable iPhone in terms of form and function as Bowie and Banks music and stencils.
The synthesis of all that is magic, remarkable and of the known world yet set apart from our planet is the European Space Station on which Astronaut Peake hurtles around our world as I write. Overlooking our planet, he can see the beauty and oneness of the home of human kind, and both its power and its vulnerability.
What better to finish this blog off with than the work of Peake’s fellow astronaut, Commander Chris Hadfield, his personal rewrite of David Bowie’s Space Oddity set in the context of his experience on board that same ESA in 2013. The images of our world flashing by, in daylight and night, remind u
s powerfully of the incredible results that partnership and collaboration between old enemies USA and USSR can bring. And why not all the other deadly foes in the long term being able to live in such an inspiring way too?
Video here.
That’s where the bravery of Bowie can take us, and where the fearlessness of Banksy challenges us. If not us, who? If not now, when?



Fast becoming a national treasure, Professor Brian Cox is also all over the telly and radio, partly because of the ISS rocket launch and partly because the media can’t leave him alone. You can catch this hyperactive, extra-special scientist best on Twitter – @ProfBrianCox. What with his live stage show at the Apollo, BBC star gazing live, his broadcasts on the Infinite Monkey Cage, appearances wherever his BBC contract forces him to turn up and then some, it’s a wonder he has time to be a scientist. But he has, and perhaps more than any other scientist of the current generation, he’s made a science career cool, sexy and a happening place to be. 
Head of Boys ICT, Andre Boulton returned from the DENSI camp in Washington, full of new ideas and experiences to share, and represented us at the DENapalooza on HMS Belfast last month, where he was presented with his founding member plaque for the UK Discovery Education Community.
we allowed them to eat their lunch in lessons, or make other completely inappropriate choices. But good schools don’t, and moreover when it comes to using technology, can illustrate time and again how it can aid learning in ways previously we could not consider. Here’s 

were at the time reserved for monks of the associated Abbey.
It’s quite obvious that pilots and air traffic controllers need to be very alert, not just because there are thousands of planes up there in the airspace, but because there is so much more now to concern them.
terror. What we as a nation did then brought us much international regard later on. Likewise, largely because of the remarkable 1993 film starring Liam Neeson, Schindler’s List, 7 times Oscar winner, we have learned that brave men and women living in Nazi occupied territories that assisted in the successful evacuation of Polish-Jewish refugees. The film depicts the real life story of Oskar Schindler’s life in Krakow, where as a businessmen he managed to save the lives of 1200 jews, by providing them with work in his ceramics factory. The close of the film shows Schindler travelling to the West away from the advancing Russians, hoping to surrender to the Americans. Wikipedia’s entry close on the film says this:
I guess I am particularly lucky to work in a family of some 370+ independent schools where the education of the whole child is paramount, where year by year our biannual conferences focus on that common language that brings educators into the profession, to teach, to make a difference, to lead learning for all not just for those that find it easy. As Chair of Professional Development for ISA, I have made it my mission to promote the essence that underlies successful education, to place children at the heart of what we do and support their growth of intellectual and spiritual development using tools honed by evidence and ethics. The latter is important by the way, as we do not permit corporal punishment for example as many of the more successful far eastern education systems still do.
spreadsheet on a business (let’s say a leisure centre, his example),and part 2 was a test of the advice the accountant could give the business based on the evidence the numbers showed. To his audience (ISA Annual conference 1990s) this came as no surprise, experienced as many of us were in educating multiple nationalities in our school. There is something innately British about being a shopkeeper, and our children almost from the very start are taught how to set up and run businesses. Nursery schools around the land have make-believe as part of the children’s play, and this is embedded in the Early years Foundation stage and we should be hugely proud as a nation that we have this as our starting point. Singapore noted that from an early age their own curriculum was jam packed with content at the expense of skill acquisition, reacted really positively to Professor Wragg’s advice, and we can all reap that benefit of
and our Boys Reception classes had just started using their new outdoor garden, complete with hundreds of wooden blocks. Within minutes of their occupation, and unrelated to any adult intervention, the boys were building roads across the bark laden floor in an East West location. “What are you doing, chaps?” asked the Head, Jeff Watkins. “Building runways, so the airplanes can land safely” came the reply. This is brilliant anecdotal evidence that children can see challenges the rest of us can’t and respond and learn. We don’t have to proscribe the learning opportunities available, though do need to prescribe that we have breadth, diversity and challenge.
ever a fantastic turnout of our community for our first mass bash of 2015-16. Year 10 and 11 are very much in charge of the extra fundraising stalls, and we have interesting innovations from the STEM club and Young Enterprise to experience. For the first time we have Metcalfe*’s skinny popcorn to run alongside our Children’s film showing and live Rugby World Cup. Yep, I might be OK about children’s empathy for other’s less fortunate, but I am not yet convinced all are completely sound on sweet and sticky.